COPYRIGHT (C) 2010 J D FRODSHAM

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Late Harvest by J D Frodsham is licensed under a Creative Commons Attribution-Non-Commercial-No Derivative Works 2.5 Australia License.
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Sunday, January 30, 2011

The Stella Sessions - Part VII




The Stella Sessions
31 January 1990

J: What can you see?
S: I can see the room and it’s crowded. There’s quite a few of them around. It’s dimly lit and I’m feeling very thirsty.
J: You’re feeling very thirsty?
S: Mmm.
J: Do you let them know you’re feeling thirsty?
S: No. A small one comes in. One of them is motioning to someone outside. A small green one comes in, she’s holding a large tumbler.
J: Can you describe the green one?
S: She’s very short, very slightly built. In the room, her skin looks green.
J: How tall?
S: Oh, about to my waist, I suppose. Very, very short. She comes  to above their waist.
J: What does her head and face look like?
S: She’s bald. Very rounded sort of skull and face. She has a slant to her eyes. Very large dark eyes. There’s a slant to al the facial bones.
J: What about her nose?
S: She hardly has any nose.
J: Mouth?
S: She has quite a wide mouth, very thin lips. Her skin seems to be all creased.
J: The skin is creased?
S: It’s sort of downward lines. Not smooth. It’s all sort of like that’s the way her skins is, a bit like a reptile and it looks thick and leathery and it looks like groves running down her face.
J: What’s she wearing? You say ‘she’. You know it’s a ‘she’ do you?
S: I don’t think she’s wearing anything. It’s just skin.
J: How do you know it’s a ‘she’ and not a ‘he’?
S: I don’t really. I just thought it was. Perhaps the way she moves or the eyes. I don’t really know.
J: Right. So what happens now?
S: She comes around to the left side. I’m lying on the table and she comes round to the left side. I’m in a semi-sitting position, I think, and they watch and they tell her to give it to me, while they’re watching. She hands it over to me and it’s all I can do to sort of control my fear. She’s so different.
J: But now you have no fear? Now you’re quite free from fear? You’ll observe this very calmly and very coolly.
S: It takes all my strength just to take the tumbler from her and without panicking. They seem to know that. They seem to be watching. I say ‘Thank you’ to her. And she seems very pleased, very happy that I’ve taken it from her. But the picture I’m seeing now is that she’s sitting on the end of my table, down at my feet. But I don’t remember that.
J: No. It doesn’t matter. That’s what you see now. I just want you to tell me what you see now. She’s sitting...
S: At my feet, at the end of the table. And she seems very pleased.
J: Right. And you’re drinking this, are you?
S: Mmm.
J: Because you’re thirsty? What does it taste like?
S: It’s like water mixed with something bitter. It’s not too bitter. Just so I can taste it. I drink it all. I may have left a little bit in it at the bottom.
J: Then what do you do?
S: I don’t remember. I don’t remember giving it back to her.
J: Just let the images come.
S: I’m putting the cup down on the left side of the table and I think she takes it.
J: Yes. Almost like a servant.
S: And the Blue one are coming in closer.
J: Yes. How many of them?
S: Mmm. Probably at least half a dozen. The room seems to be crowded. It’s very dimly lit still. I can see two over near a screen over on the left. I don’t remember that screen being there before. It’s like part of the wall has been peeled away or something. There’s a large screen against the wall.
J: How are you feeling now as you’re lying there on the table?
S: Very, very tired.
J: Are you still nauseous?
S: No.
J: Still lying there feeling very tired but not nauseous?
S: Mmm.
J: What’s happening now?
S: I don’t know. I can feel them bringing in like a projector screen, but I haven’t seen that before.
J: Right, right. Just let the images come. Just relax.
S: There’s one or two around behind my head and there's about three or four over on my right.
J: These are Blues aren’t they?
S: Mmm.
J: Can you describe your surroundings? What’s above you, for example, looking up?
S: I don’t really remember looking up much. I think it’s just...I can see a rectangular light way up but I can also see like a circular light above and behind me. It seems to be attached to some sort of mechanical arm and that’s attached to a square or some sort of machine to my right and behind me. Behind the table. It’s like a square. No, more like an upright rectangular box. It looks like it has a curved cover over the top of it. There’s a table on top and it’s got a curve, and it comes over in a semi circle over it.
J: What colour is it? Can you see the colour?
S: It’s gray, just a metallic gray.
J: Do you know what all these things are for?
S: No. I’ve got no idea. I didn’t even know...It’s the first time I’ve seen it. I didn’t even know it was there.
J: What about the room itself? Is that quite large or small?
S: It’s about the size of this room. It’s spacious but it’s not large. There’s a doorway on the right hand side and then a bench on the wall, and to the other side of the doorway, it goes across. It looks like there’s a doorway at the other end against the wall that’s well lit. And next to that is the screen with the two men against it and then there’s a bench of things after that screen around there to the left.
J: Very well described. Very clear.
S: I don’t remember anything on the left before. This is the first time I’ve seen it.
J: What colour is all this?
S: It’s all that dull metallic gray. It’s all so gray. It’s always gray. There’s no colour really. It’s just metallic.
J: Everything metallic gray?
S: Mmm.
J: What’s happening now?
S: I don’t know. All I can see now is I’m heading out to the hatch. The hatch in the floor back in the first room. And one of them is asking me if I feel I’m O.K. enough to go back. I’m sure that I’m O.K and well.
J: Let’s go back a little further in time before you went to the hatch. Go back a little way. I want you to go back to the time when there was a creature there by your side showing you some sort of baby or infant. Can you remember that?
S: That was before the drink.
J: That’s right. Before the drink. What was this creature? What did it look like?
S: That was the same one or very similar. A small, green creature. She showed me the strange thing that looked like a foetus of something. I suppose it looks like a semi-developed foetus, say one of ours that had been [unintelligible], but it was way too big to be a human foetus.
J: What was it in?
S: It was in a bluish sort of membrane. I remember a gray kidney shaped and white foetus. She held it up so that I could see it. It was horrible.
J: Where did it come from? Did she tell you?
S: No. I think it came from one of their other rooms. She never said anything.
J: Did she indicate why she was showing this to you? Do you have any idea?
S: I think she’s trying to make me think it was mine. But it was horrible. It wasn’t human at all. There was no way it could have been mine. It was so big. It was really quite big and yes it looked about like a human foetus. I don’t know why she was showing it to me. It was so silly. And they told her not to and yet there she was. 
J: They told her not to?
S: Yeh.
J: The Blues told her not to?
S: Mmm.
J: But she disobeyed.
S: Mmm.
J: I see.
S: But they're not doing anything. They’re not saying anything to her. Now one of them is telling her to go. She goes.
J: Yes.
S: She goes out that door on the right.
J: You say you think you saw something like a white ball or white sphere, a white globule at one stage.
S: Mmm.
J: Can you tell me about that? Do you remember it perfectly?
S: They were lifting it up from me when I first noticed it.
J: Taking it out of you?
S: I don’t know. I meant it’s possible but it doesn’t look like anything that would come from a human body. It looks as if they’re removing an egg sized white thing. They had it in a pair of tweezers or something.
J: When you say egg sized does that mean the size of a hen’s egg?
S: Yeh.
J: [astonished] About the size of a hens egg?
S: Mmm.
J: And what do they say about that? Do they explain what it is?
S: No. They didn’t. I remember feeling angry with them. I didn’t like the thought that they were taking something from me or something out of me.
J: You were angry with them?
S: Mmm. I feel how dare they take something from me.
J: Where did it come from?
S: I think it came from my abdomen area. I’m not really sure.
J: Did they make an incision to get it?
S: Possibly. I don’t remember it. I can't really see what they’re doing.
J: Can you see what they’re doing? Can you see?
S: No. I can't see how they did it. I have a feeling it came from my right side somewhere, but I really don’t know. They must have made an incision about there, over my hip, or near there. But I don’t see how that could have come from there.
J: You were anesthetised?
S: I keep slipping in and out. I keep seeing what they’re doing and then fading.
J: Yes. Perhaps you were anesthetised. Can you hear them saying anything?
S: They seem to know when I’m becoming more conscious and they seen to be...I don’t know. Maybe they’re explaining what they were doing. I’m trying to hear them.
J: At the count of five you’ll hear them very clearly. [counts]. It’s much clearer now.
S: No. They’re not saying anything at the moment.
J: What are they doing?
S: I don’t know. They’re just standing there. I think they’ve finished whatever they were doing.
J: Let’s go forward now to the time when they take you to the hatch and ask you id you want to go back. What do you say?
S: They’re asking me if I’m ready to go back. If I feel all right. If I feel well enough to go back.
J: And what do you say?
S: And I’m saying, ‘Yes, I do feel well enough.” I’m a bit shaky but other than that I feel O.K. so they open the hatch and tell me just to jump. And I look down and we must be about twenty or thirty feet up, maybe forty. And I’m saying, “There’s no way I can jump down. I’d kill myself if I jumped down.”
J: What’s underneath you when you look out the hatch?
S: I can see the car and the trees and the footpath.
J: The car’s down there?
S: Yeh. On the ground. And I’m saying, “There’s no way I’m going to jump.” And I said, “You’ll have to come down closer.” So they come down a bit closer, I would say level with or just a bit above the wires on the lamp post. I don’t know how high that is.
J: I would say about twenty feet.
S: Mmm. So they are down about that far and I’m saying, “It’s still too far.” But they said, “No, you can jump.” And they said, “See those two over there next to the bench.” There’s a bench behind and towards the centre of the craft, on the inner side of the room. It has a thickish stand and then it goes out and it’s angled, so you can't see the other side. And there’s two young ones in blue behind there and he says they will stop me from hurting myself if I fall down. I seem to know that they're going to create a – I don’t know – vacuum or something. So then I look over at them and I feel as if they have my life in their hands. It’s such a horrible feeling. Because they can't go down any closer. And I said, “I want someone to go with me. I don’t want to go on my own.” So one jumps down before me and I can hear the wind, for the sound is like a vacuum cleaner sort of sound and effect. You can't really feel the wind inside, it’s more outside, underneath the craft. There must be a machine underneath it. And he lands okay and he goes round to the right side of the car. So I jump. I look at the two at the bench and then I jump and it’s like being held. You’re still moving but it's  like being held as well. There’s still the force of the jump but you’re not gathering momentum. And except for the last few feet, it seems to lose its impact or strength. And I remember the last few feet. That’s when I seem to gain momentum. And I remember landing and taking a few quick steps, half running to get my balance. The one on the car seemed to think I was very agile or something because I hadn’t fallen. I’d stayed on my feet.
J: What happens now?
S: He’s opening the car door and I’m getting in.
J: How does he get back?
S: I don’t know. He wanted to see me start the car. He wanted to watch. I start the car. I don’t remember him going back.
J: So you’re in the car. You start the car and what do you do now?
S: Then I drive further up to my street and turn into my street and then I turn into my driveway.
J: You go into the house?
S: Mmm.
J: What does your sister Carol say?
S: I’m feeling very happy, very light hearted. I’m feeling much better than I have for a week and I knock on the door and then everyone’s mad at me. They’re angry because I’ve been so long. They’re really worried.
J: Do you know how long you’ve been gone?
S: No. They said I’ve been gone for hours. Something like two hours I think. They said it was eight thirty.
J: Did they ask you where you’d gone? What you’d been doing?
S: Yes.
J: And what did you say?
S: I was told not to say anything.
J: So what did you tell your family?
S: I just said I’d seen a white light and my sister was angry at me. It was more or less the first thing she said, when I came in was that I smelt strange and she got up and left the room. She was really angry. She would have been as angry as Dad and everyone.
J: Because you were so long? Had you frightened your family because you were gone for so long?
S: I think so. Yes.
J: And you smelt strange. Did she describe the smell?
S: I remember her saying to Mum that I smelt of chemicals. But it doesn’t bother me. I’m not worried. It doesn’t bother me that they’re angry. I’m feeling quite light hearted.
[End of session]



COPYRIGHT (C) 2010 J D FRODSHAM

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