The Stella Sessions
31 January 1990
J: What can you see?
S: I can see the room and it’s crowded.
There’s quite a few of them around. It’s dimly lit and I’m feeling very
thirsty.
J: You’re feeling very thirsty?
S: Mmm.
J: Do you let them know you’re feeling
thirsty?
S: No. A small one comes in. One of them
is motioning to someone outside. A small green one comes in, she’s holding a
large tumbler.
J: Can you describe the green one?
S: She’s very short, very slightly built.
In the room, her skin looks green.
J: How tall?
S: Oh, about to my waist, I suppose.
Very, very short. She comes to above
their waist.
J: What does her head and face look like?
S: She’s bald. Very rounded sort of skull
and face. She has a slant to her eyes. Very large dark eyes. There’s a slant to
al the facial bones.
J: What about her nose?
S: She hardly has any nose.
J: Mouth?
S: She has quite a wide mouth, very thin
lips. Her skin seems to be all creased.
J: The skin is creased?
S: It’s sort of downward lines. Not
smooth. It’s all sort of like that’s the way her skins is, a bit like a reptile
and it looks thick and leathery and it looks like groves running down her face.
J: What’s she wearing? You say ‘she’. You
know it’s a ‘she’ do you?
S: I don’t think she’s wearing anything.
It’s just skin.
J: How do you know it’s a ‘she’ and not a
‘he’?
S: I don’t really. I just thought it was.
Perhaps the way she moves or the eyes. I don’t really know.
J: Right. So what happens now?
S: She comes around to the left side. I’m
lying on the table and she comes round to the left side. I’m in a semi-sitting
position, I think, and they watch and they tell her to give it to me, while
they’re watching. She hands it over to me and it’s all I can do to sort of
control my fear. She’s so different.
J: But now you have no fear? Now you’re
quite free from fear? You’ll observe this very calmly and very coolly.
S: It takes all my strength just to take
the tumbler from her and without panicking. They seem to know that. They seem
to be watching. I say ‘Thank you’ to her. And she seems very pleased, very
happy that I’ve taken it from her. But the picture I’m seeing now is that she’s
sitting on the end of my table, down at my feet. But I don’t remember that.
J: No. It doesn’t matter. That’s what you
see now. I just want you to tell me what you see now. She’s sitting...
S: At my feet, at the end of the table.
And she seems very pleased.
J: Right. And you’re drinking this, are
you?
S: Mmm.
J: Because you’re thirsty? What does it
taste like?
S: It’s like water mixed with something
bitter. It’s not too bitter. Just so I can taste it. I drink it all. I may have
left a little bit in it at the bottom.
J: Then what do you do?
S: I don’t remember. I don’t remember
giving it back to her.
J: Just let the images come.
S: I’m putting the cup down on the left
side of the table and I think she takes it.
J: Yes. Almost like a servant.
S: And the Blue one are coming in closer.
J: Yes. How many of them?
S: Mmm. Probably at least half a dozen.
The room seems to be crowded. It’s very dimly lit still. I can see two over
near a screen over on the left. I don’t remember that screen being there
before. It’s like part of the wall has been peeled away or something. There’s a
large screen against the wall.
J: How are you feeling now as you’re
lying there on the table?
S: Very, very tired.
J: Are you still nauseous?
S: No.
J: Still lying there feeling very tired
but not nauseous?
S: Mmm.
J: What’s happening now?
S: I don’t know. I can feel them bringing
in like a projector screen, but I haven’t seen that before.
J: Right, right. Just let the images
come. Just relax.
S: There’s one or two around behind my
head and there's about three or four over on my right.
J: These are Blues aren’t they?
S: Mmm.
J: Can you describe your surroundings?
What’s above you, for example, looking up?
S: I don’t really remember looking up
much. I think it’s just...I can see a rectangular light way up but I can also
see like a circular light above and behind me. It seems to be attached to some
sort of mechanical arm and that’s attached to a square or some sort of machine
to my right and behind me. Behind the table. It’s like a square. No, more like
an upright rectangular box. It looks like it has a curved cover over the top of
it. There’s a table on top and it’s got a curve, and it comes over in a semi
circle over it.
J: What colour is it? Can you see the
colour?
S: It’s gray, just a metallic gray.
J: Do you know what all these things are
for?
S: No. I’ve got no idea. I didn’t even
know...It’s the first time I’ve seen it. I didn’t even know it was there.
J: What about the room itself? Is that
quite large or small?
S: It’s about the size of this room. It’s
spacious but it’s not large. There’s a doorway on the right hand side and then
a bench on the wall, and to the other side of the doorway, it goes across. It
looks like there’s a doorway at the other end against the wall that’s well lit.
And next to that is the screen with the two men against it and then there’s a
bench of things after that screen around there to the left.
J: Very well described. Very clear.
S: I don’t remember anything on the left
before. This is the first time I’ve seen it.
J: What colour is all this?
S: It’s all that dull metallic gray. It’s
all so gray. It’s always gray. There’s no colour really. It’s just metallic.
J: Everything metallic gray?
S: Mmm.
J: What’s happening now?
S: I don’t know. All I can see now is I’m
heading out to the hatch. The hatch in the floor back in the first room. And
one of them is asking me if I feel I’m O.K. enough to go back. I’m sure that
I’m O.K and well.
J: Let’s go back a little further in time
before you went to the hatch. Go back a little way. I want you to go back to
the time when there was a creature there by your side showing you some sort of
baby or infant. Can you remember that?
S: That was before the drink.
J: That’s right. Before the drink. What
was this creature? What did it look like?
S: That was the same one or very similar.
A small, green creature. She showed me the strange thing that looked like a
foetus of something. I suppose it looks like a semi-developed foetus, say one
of ours that had been [unintelligible],
but it was way too big to be a human foetus.
J: What was it in?
S: It was in a bluish sort of membrane. I
remember a gray kidney shaped and white foetus. She held it up so that I could
see it. It was horrible.
J: Where did it come from? Did she tell
you?
S: No. I think it came from one of their
other rooms. She never said anything.
J: Did she indicate why she was showing
this to you? Do you have any idea?
S: I think she’s trying to make me think
it was mine. But it was horrible. It wasn’t human at all. There was no way it
could have been mine. It was so big. It was really quite big and yes it looked
about like a human foetus. I don’t know why she was showing it to me. It was so
silly. And they told her not to and yet there she was.
J: They told her not to?
S: Yeh.
J: The Blues told her not to?
S: Mmm.
J: But she disobeyed.
S: Mmm.
J: I see.
S: But they're not doing anything.
They’re not saying anything to her. Now one of them is telling her to go. She
goes.
J: Yes.
S: She goes out that door on the right.
J: You say you think you saw something
like a white ball or white sphere, a white globule at one stage.
S: Mmm.
J: Can you tell me about that? Do you remember
it perfectly?
S: They were lifting it up from me when I
first noticed it.
J: Taking it out of you?
S: I don’t know. I meant it’s possible
but it doesn’t look like anything that would come from a human body. It looks
as if they’re removing an egg sized white thing. They had it in a pair of
tweezers or something.
J: When you say egg sized does that mean
the size of a hen’s egg?
S: Yeh.
J: [astonished]
About the size of a hens egg?
S: Mmm.
J: And what do they say about that? Do
they explain what it is?
S: No. They didn’t. I remember feeling
angry with them. I didn’t like the thought that they were taking something from
me or something out of me.
J: You were angry with them?
S: Mmm. I feel how dare they take
something from me.
J: Where did it come from?
S: I think it came from my abdomen area.
I’m not really sure.
J: Did they make an incision to get it?
S: Possibly. I don’t remember it. I can't
really see what they’re doing.
J: Can you see what they’re doing? Can
you see?
S: No. I can't see how they did it. I
have a feeling it came from my right side somewhere, but I really don’t know.
They must have made an incision about there, over my hip, or near there. But I
don’t see how that could have come from there.
J: You were anesthetised?
S: I keep slipping in and out. I keep
seeing what they’re doing and then fading.
J: Yes. Perhaps you were anesthetised.
Can you hear them saying anything?
S: They seem to know when I’m becoming
more conscious and they seen to be...I don’t know. Maybe they’re explaining what
they were doing. I’m trying to hear them.
J: At the count of five you’ll hear them
very clearly. [counts]. It’s much
clearer now.
S: No. They’re not saying anything at the
moment.
J: What are they doing?
S: I don’t know. They’re just standing
there. I think they’ve finished whatever they were doing.
J: Let’s go forward now to the time when
they take you to the hatch and ask you id you want to go back. What do you say?
S: They’re asking me if I’m ready to go
back. If I feel all right. If I feel well enough to go back.
J: And what do you say?
S: And I’m saying, ‘Yes, I do feel well
enough.” I’m a bit shaky but other than that I feel O.K. so they open the hatch
and tell me just to jump. And I look down and we must be about twenty or thirty
feet up, maybe forty. And I’m saying, “There’s no way I can jump down. I’d kill
myself if I jumped down.”
J: What’s underneath you when you look
out the hatch?
S: I can see the car and the trees and
the footpath.
J: The car’s down there?
S: Yeh. On the ground. And I’m saying,
“There’s no way I’m going to jump.” And I said, “You’ll have to come down
closer.” So they come down a bit closer, I would say level with or just a bit
above the wires on the lamp post. I don’t know how high that is.
J: I would say about twenty feet.
S: Mmm. So they are down about that far
and I’m saying, “It’s still too far.” But they said, “No, you can jump.” And
they said, “See those two over there next to the bench.” There’s a bench behind
and towards the centre of the craft, on the inner side of the room. It has a
thickish stand and then it goes out and it’s angled, so you can't see the other
side. And there’s two young ones in blue behind there and he says they will
stop me from hurting myself if I fall down. I seem to know that they're going
to create a – I don’t know – vacuum or something. So then I look over at them
and I feel as if they have my life in their hands. It’s such a horrible
feeling. Because they can't go down any closer. And I said, “I want someone to
go with me. I don’t want to go on my own.” So one jumps down before me and I
can hear the wind, for the sound is like a vacuum cleaner sort of sound and
effect. You can't really feel the wind inside, it’s more outside, underneath
the craft. There must be a machine underneath it. And he lands okay and he goes
round to the right side of the car. So I jump. I look at the two at the bench
and then I jump and it’s like being held. You’re still moving but it's like being held as well. There’s still the
force of the jump but you’re not gathering momentum. And except for the last
few feet, it seems to lose its impact or strength. And I remember the last few
feet. That’s when I seem to gain momentum. And I remember landing and taking a
few quick steps, half running to get my balance. The one on the car seemed to
think I was very agile or something because I hadn’t fallen. I’d stayed on my
feet.
J: What happens now?
S: He’s opening the car door and I’m
getting in.
J: How does he get back?
S: I don’t know. He wanted to see me
start the car. He wanted to watch. I start the car. I don’t remember him going
back.
J: So you’re in the car. You start the
car and what do you do now?
S: Then I drive further up to my street
and turn into my street and then I turn into my driveway.
J: You go into the house?
S: Mmm.
J: What does your sister Carol say?
S: I’m feeling very happy, very light
hearted. I’m feeling much better than I have for a week and I knock on the door
and then everyone’s mad at me. They’re angry because I’ve been so long. They’re
really worried.
J: Do you know how long you’ve been gone?
S: No. They said I’ve been gone for
hours. Something like two hours I think. They said it was eight thirty.
J: Did they ask you where you’d gone?
What you’d been doing?
S: Yes.
J: And what did you say?
S: I was told not to say anything.
J: So what did you tell your family?
S: I just said I’d seen a white light and
my sister was angry at me. It was more or less the first thing she said, when I
came in was that I smelt strange and she got up and left the room. She was
really angry. She would have been as angry as Dad and everyone.
J: Because you were so long? Had you
frightened your family because you were gone for so long?
S: I think so. Yes.
J: And you smelt strange. Did she
describe the smell?
S: I remember her saying to Mum that I
smelt of chemicals. But it doesn’t bother me. I’m not worried. It doesn’t
bother me that they’re angry. I’m feeling quite light hearted.
[End
of session]
COPYRIGHT (C) 2010 J D FRODSHAM
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