The Stella Sessions - Part III

The Stella Sessions

16 January 1990

J: Now let’s see. It’s 1980 and you see a red cigar shaped object. Or is it a cigar shaped object with red lights?

S: No. It was all red.

J: Where are you now? You’re back in 1980, you’re nineteen years old. There it is in front of you. Where are you?

S: We’re in a street.

J: How many people are in the street?

S: There’s Mathew and his friend, Megan and myself.

J: Who’s Mathew?

S: Megan’s boyfriend at that time.

J: You’re in the street. Is this in Nollamara?

S: Yes.

J: What time is it?

S: About 9.30. I think.

J: And you see this red object. If it’s dark, how do you know it’s red?

S: It’s night time but the object’s glowing in the night sky.

J: It’s glowing red?

S: Yes. Very red.

J: Who sees it first?

S: Oh, the neighbourhood kids saw it first, and then I came outside, when Megan asked me to come outside.

J: Now go right back, right back to that time. It’s 1980 now, you’re nineteen years old and the neighbourhood children have seen this object and you’ve come outside.

S: They’ve been watching it for a while.

J: Where are you now?

S: I’m back in my street.

J: Can you still see the object?

S: Yes.

J: How high up is it do you think?

S: It’s not very high. It’s sort of low, lowish.

J: Is is moving?

S: It moves and then it stops and moves again a bit and then stops.

J: There’re lots of people watching it?

S: Yes.

J: It is very big? Does it look large?

S: It’s hard to tell. It’s not large. It’s hard to tell just by the light. [Tenses visibly].

J: Just relax. [calms her]. What’s happening now?

S: Well, Peter and Justin are telling me about it. Megan and Mathew are there too. They’re saying it’s a helicopter. [unintelligible].

J: And what are you saying?

S: I’m saying it could be a helicopter but there’s no noise. It seems to be close enough.........It’s lights are different. It’s not like the small red light of a helicopter.

S: Are all the lights red?

S: Just one big light.

J: So a lot of people are looking at this now? What’s happening now?

S: Nothing. It’s just there. We’re all watching it. I don’t know how long we’ve been watching it for. But I grew tired of it. I wanted to go home.

J: You want to go home? How far are you from your house?

S: About four or five houses away. It’s on an L shaped bend, a small house.

J: What’s happening now?

S: I’m walking away to go home and Megan reminds me or tells me she wants me to walk with her to Mathew’s house. She wants me to take Mathew home.

J: What’s happening now?

S: I don’t really want to do it. But she’s just about dragging me to do it. She’s half fooling around. So I agree.

J: So you agree? What happens now?

S: So we go in and tell her mother and we decide to walk because it’s such a nice night. The air is so crisp. So we start walking down the lane way and across Morley Drive and down Douglas Avenue. And all the time it’s there, just there. We’ve reached Mathew’s place, and when we stop it starts to move from our right side or front right around in front of us, to our left side. Megan and I are mucking around and we decide to stir, and one of us lets out a high-pitched scream and it seemed to jolt suddenly. It seems to jerk a bit.

J: When you screamed?

S: Yes. Like it heard it. So I thought it must have been a bit closer than it appeared to be. It seemed to be miles away. We started teasing it. We’re telling them to come with with it. They’re cowards for not coming down if they’re something different. [Long pause]. So funny for suddenly it seems to jump forward. It’s like it’s moved forward or I’ve moved up there. I’m looking through the window.

J: What happens now?

S: There’s one there. Just one at the window, with men behind him. It’s really well lit through the window.

J: Describe the man you see, the entity you see.

S: It’s tall or slim. Not a clear picture.

J: Is he human?

S: Yes. Longish black hair, shoulder length or just past the shoulders. I’ve nicknamed him Tutankhamen. He looks Egyptian. He looks like a Pharaoh. He’s got the high arched black eyebrows, black eyes.

J:  Has he got a Pharaoh’s headdress?

S:No. Not then.

J: What’s he wearing?

S: What I’m seeing is he’s not wearing anything on top. I can only see from the chest up. It’s not a very clear picture.

J: What happens now? S: Now he’s got the headdress on. It’s got brilliant colours, it’s so gold.

S: Describe the headdress.

S: I can’t tell. It’s blue and gold stripes. The stripes go out sideways, alongside the headdress, beside the blue, navy blue or black, is gold metal.

J: Like a crown?

S: Just like a Pharaoh’s headdress exactly. It really is beautiful.

J: And what happens now?

S: He’s just staring at us. There’s one or two Blues in the background. It’s well lit. The short one comes up and stands beside him. He’s saying something to the Pharaoh [unintelligible] whoever he is. The Pharaoh turns to his side to face the guy and gives him a nod. The guy goes off into the background.

J: Is the Blue wearing his usual blue uniform? Is he smaller than the Pharaoh?

S: Much smaller. He only comes up to about there at the shoulders. Megan is saying something like ‘They’re coming down.’

J: Can Megan see them as clearly as you?

S: Yes. She seems to be. She must be. She’s saying ‘They’re coming down.’

J: It’s just the two of you then?

S: Yes. I don’t know where Mathew is. He’s gone inside.

J: Are there houses nearby?

S: We're right outside Mathews house.

J: They’re coming down. What happens now?

S: Its right down low, so low.

J: And you can see very clearly?

S: Yes. It’s very dark. It’s hard to tell. It’s almost like the object itself was painted black. It’s hard to see. There’s a beam of light. Something falls down the beam of light. I thought I saw one or two green things and then a blue one. They’ve gone behind a tree and I want to go around the other side of the tree to see what’s there.

J: Do you go?

S: No Megan said not to. She said not to go, it's dangerous. So I don’t go.

J: What happens now?

S: It's  like another one behind us.

J: Another craft behind you?

S: A very, very small one. What I'm seeing now is like a tiny doorway in it. It's  shaped like that, [gestures to indicate shape] the doorway goes with the shape as well.

J: In the big craft?

S: No, in the small one behind us. What I’m seeing now is one of them leaning out, saying is it safe or to come down.

J: He’s asking you if it’s safe?

S: Yes. They don’t seem to think it’s safe.

J: What do you think? Is it safe? Is it safe for them to come down?

S: Yes. They're  saying that they don’t want to catch any disease.

J: Any disease? What disease are they talking about, do you know?

S: I’m trying to hear what they’re saying.

J: Can Megan hear them too?

S: I think so. She’s not saying anything and also at the same time there’s light , misty figures. They're  sort of, they’re not solid, they're there but they’re not solid. You can see through them.

J: What are these misty figures?

S: They’re all around us on the road.

J: They’re around you on the road?

S: Yes. There must be a dozen of them. There’re so many. It’s like they’re getting solid.

J: What’s going on now?

S: They’re getting solid. They're  not allowing me to touch them while they're  getting solid.

J: How do you know they’re not allowing you to touch them? Did they tell you?

S: I don’t know. I think the one in the open doorway above is saying not to touch, and also I feel it. I feel that we shouldn’t touch as it might disturb their solidness or something.

J: What now?

S: They’re all solid.

J: What do they look like?

S: They’re all in pale blue uniforms.

J: Do you think they’ve been beamed down?

S: It’s hard to say because the craft above seems too small to be beaming them. Maybe they’re being beamed from the larger one up above.

J: So now there’s a lot of Blues all over the place?

S: Yes.

J: Do they all look alike?

S: They all have slight differences in their faces. They’re all olive skinned with black hair and dark eyes. They’re all basically like that. Pale blue outfits. The black strips seem to vary too. It seems like a camouflage thing. Sometimes when they’re against a dark background, they’re hard to see. It's  hard to place them or to see exactly. Some have very black strips, and others don’t. Others have very few strips. 

J: Can you draw one of these Blues for me when you wake up?

S: Yes I could.

J: That would be nice. What’s happening now?

S: I just have to wait. I have to wait for the picture.

J: Yes. Just take your time.

S: They’re standing around, not doing much. One comes up and he’s looking at us.

J: Is he talking?

S: I can't tell. I don’t think so. Just looking and watching. He’s mainly focusing on Megan.

J: How is Megan reacting to this?

S: She’s not. She’s watching the craft up above her, I think.

J: She’s not really interested in the Blues?

S: No. No, she’s not even watching them.

J: That’s strange isn’t it? Can she see them, or can any of you see them?

S: I don’t know. I think she commented on them. She saw them at the start but now her eyes are just on the craft up above.

J: Yes. But you’re watching the Blues aren’t you? How do you feel?

S: I know who they are.

J: How do you know that?

S: I've seen them before.

J: Yes. They're  old friends?

S:Yes. Sort of.

J: Old acquaintances anyway? Like ‘auld lang syne?’

S: Yes. It’s strange. It makes me a bit nervous. I don’t know what happened next. I can't get the picture. [very tense].

J: You’re very safe, you’re  very secure. [calms her].

S: I remember feeling, I don’t know when I felt it, but Megan felt the same. I remember feeling a hotness on my head. It seemed to move down slowly, the heat, it seemed to move down slowly, slowly, slowly.

J: Do you feel the heat moving down slowly now?

S: No. It just makes feel very weak and very tired. I’m now seeing a torch beam. I’m running to avoid the torch beam. Like a beam coming from above, like a spotlight. This was prior to the smaller craft and most figures.

J: What colour is it?

S: White. The beam is white. Very bright white.

J: Is it shining on you?

S: No. I’m avoiding it. Dodging it.

J: What about Megan?

S: I can't see her. I don’t know where she is.

J: Megan’s gone?

S: I think she’s in one spotlight. I’m not sure. She’s not there. I don’t know where she is.

J: Now what’s happening?

S: I’m growing tired so I let the light go on me. It’s very bright. [tenses again]

J: But the light can't harm you. You’re very safe, very secure. [calms her]. What’s happening now?

S: I don’t know. It’s still on................[unintelligible]. They’re trying to work out what they’re going to do next. I’m a bit concerned being in a beam. ........[unintelligible]. Are they going to shoot me or what? [agitates]

J: They wouldn’t do that.

S: No they wouldn’t.

J: They’re very kind to you.

S: Yes, they are. There’s a lot of wind. I can see my hair moving about like there a strong wind. I can see myself in the craft and the door’s sort of closing up underneath it.

J: Now you’re in the craft? As the beam taken you into the craft?

S: I don’t know. I don’t know whether it’s just a light beam or there’s more to it.

J: But you’re in the craft?

S: Yes.

J: In the little craft or in the big one?

S: In the bigger one. I didn’t even know there was a little one around till I looked behind.

J: Yes. Now you’re in the big craft?

S: Yes.

J: Can you tell me what it’s like?

S: It's quite a big room with a bench curving round to my right and there’s a wall to my left and a doorway in front.

J: What’s the light in there?

S: Quite bright. Just a normal room lighting.

J: Can you see where the lights are?

S: No.

J: Is the air cold or warm?

S: In between. Coolish.

J: Are you happy to be there?

S: I don’t know. I’m getting a picture of me sitting there but I also feel quite happy to be there. I think I said something like ‘Yee-hah’ when I went up, when I arrived there, when I saw where I was.

J: What do you think that means?

S: I said it as an expression of excitement. I think the Pharaoh might have said ‘Yee-hah, eh?’. He sort of copied what I said like a question.

J: He's speaking to you?

S: Yes, like he’s talking.

J: Is he friendly?

S: He seemed to be dubious at first but he’s quite pleasant, he’s friendly.

J: Can he speak English to you?

S: Yes.

J: They have no problem with languages, these people?

S: They complained about my talking, said I talked too fast. They talk slower, like Americans, they have the inflexion on the ‘r’.

J: Do they have deep voices?

S: It’s a bit deeper, not terribly deep, a bit deep.

J: Can you see Megan?

S: She was with me. She’s sort of going round a corner in the doorway. I don’t want to go so I stayed and sat there.

J: On a chair?

S: No, on the floor. I was feeling very tied. I wasn’t well. I’d had a virus for a while. I sat there on the floor, just sitting there, waiting for her to come back.

J: What’s the floor like? Is it hard, carpet?

S: It’s hard.

J: Not the best comfortable place to sit?

S: No.

J: Especially if you’re tired.

S: It doesn’t feel uncomfortable. I think I’m too tired to bother. I remember feeling it, hitting it. And as I was hitting it I could also see I was hitting the curb on the road. And they said we must stop her doing that.

J: As you hit the floor of the craft, you were also hitting the curb on the road?

S: Yes. I don’t think they wanted me to be on the road. They wanted me to be there.

J: Are you back in there craft now?

S: Yes. There are quite a few [unintelligible] with the main one. One of the Pharaoh type ones.

J: How many Pharaohs are there now?

S: There’s the one that’s looking out the window. He’s still there at the bench. The one in charge looks like him, but it’s him too. They’re all wearing pale blue.

J: Who’s wearing pale blue? The Pharaohs?

S: Yes, even the Pharaohs.

J: And the one who is bare to the waist, has he put on pale blue now?

S: Yes. He’s all covered. I don’t know why I thought his chest was bare.

J: How he’s wearing pale blue too? Do they look just like the Blues, but taller?

S: Yes. Very, very similar.

J: Who’s in charge? Who’s in command? The Egyptians or the Blues?

S: I’d say more the Egyptians [unintelligible]. It’s getting confusing. I’d say more the Egyptians. The taller ones.

[End of session].

COPYRIGHT (C) 2010 J D FRODSHAM