The Abduction of Sabrina
In
my earlier articles, I stated that Sabrina, then aged
twenty-nine, had been a close friend of my daughter-in-law’s since primary
school, thus allowing me to gain a close insight into her character from one
who had known her for twenty-three years. Psychological testing (CAQ),
carried out by a distinguished academic psychologist, Professor Douglas Savage,
established that Sabrina was psychologically normal in every respect.
Furthermore, Sabrina not only had conscious recollection of her abductions, but
also had kept diaries, notes and drawings in which she had noted as much of her
experiences as she could remember. These lengthy hypnotic sessions, which
ran from January to June 1990, merely served to bring to light details which
Sabrina had relegated to her unconscious.
Transcript
of Tape 9:
My
questions are in bold, Sabrina’s answers are in
normal script.
Go
back to the time when you and Z are in a car and you are driving along [2]. You
are actually there. You are in the car now. You are driving along
and Z sees a light behind you. What next? What happens then?
He
is looking at the light in the rear vision mirror.
Do
you see the light too?
Yes.
It just looks like truck lights, lights of large objects. It seems to be
coming down the hill with lights on the horizon behind it.
Are
you worried at all?
No.
How
are you feeling?
Quite normal. A bit curious, I suppose. I feel very alert.
What’s
happening now?
Well,
it’s slowly getting closer.
What
colour are the lights? Can you see?
They’re
white.
Are
they very bright?
Yes,
very bright.
What’s
Z doing?
He’s
driving and he’s starting to speed. He’s saying something.
What’s
he saying? Can you hear?
I
think he’s saying he doesn’t want them to catch up.
Right. And how do you feel?
I
feel worried about his speeding. I am sure it’s a truck light.
I
want you to go back right to that time now. You’re not seeing it in the
past. You’re there. You’re actually there. You’re watching
it. Where’s the light now?
It’s
getting very quiet.
How
do you feel about the lights?
I
feel rather strange. There were two, now there’s only one, a very large
one behind. And I’m sure it was just normal headlights of a truck, and
that there was another set of headlights behind it, like that of a car.
Now there’s just one big light.
What
is that light doing now?
It’s
right behind us, very close, tailing us.
And
Z, is he still going fast?
Yes.
He’s not saying anything, but he’s really going very fast.
Is
he a bit frightened do you think?
No.
He’s a very quiet sort of person, doesn’t show his emotions very much. He
seems to be very much in control. To me he doesn’t seem frightened.
What’s
happening now?
I’m
turning to look at Z. He seems to be saying something again.
Can
you hear what Z is saying?
He’s
saying it’s going up, I think. I turn around and see it moving up and I’m
just seeing the bottom half of it, or third of it going up.
Where
is it going now? Now it’s gone up?
I
don’t know. I think it’s gone. I’m not sure. I just got a
flash of it going in front of us! Speeding in front of us! I never
remembered exactly before or ... (She becomes very tense and agitated.)
(Calms
her, then continues). Now you’re in the car
with Z. What’s happening now?
Well,
I’m now looking and seeing it flash a bit to the right of the car, in front of
us, and disappear off to our right ... I can’t see it now, because the
top of the car is in the way.
And
what is Z doing now?
I
don’t know. He’s sitting there.
Is
he driving the car?
No,
it’s gone very dark.
What’s
outside? When you look outside the car, what can you see?
Darkness. Just darkness. There are no
shrubs, there’s no lights.
Any lights from the car?
No
lights from the car. Just dark all around.
Where
are you now?
I’m
still in the car.
Where’s
the car?
(Startled)
It’s in the sky! There are no bushes around.
What
is around you?
Just blackness.
Just
keep on going. Go with the car. You’re safe in the car.
What’s happening now?
It’s
getting lighter, a mist is starting up and we’re passing through a large
entrance. We’re going up to the entrance. It’s like an opening on
the bottom of something.
Right. And where are you now? You’ve passed the entrance.
The mist is there. Where are you now?
We’re
on a platform, or lowered platform.
Can
you describe the platform for me? What colour
is it?
Gray, a very dull gray. It’s like dull metal. It’s very
dull. But the area is well lit and cloudy, very misty, and it’s hard to
see through the gray mist to what is actually around. The clouds are all
around the car. And Z is gone. He’s not there.
Where
is Z?
He
seemed to slide out.
Slide
out? By himself?
I
can’t see anything through the mist.
Now
what are you doing?
I’m
floating up above the car.
Is
it a nice sensation?
Yes.
I can see everything down below.
What
can you see when you look down below?
I
can see the car in the centre and the two raised platforms on either side of
the car. I can see what looks like the end of the lower platform we were
on. It’s a very short distance between the sides of the edge and the end of
that platform that we’re on.
When
you wake up, I want you to draw this for me. You’re a good artist.
Will you? [3]
Yes.
(Agitated again).
(Calms her). What’s going on now?
Floating up. It looks huge. It’s much bigger than I thought. But
when I was in the car it seemed a short distance to the wall and it went
curving back. But looking down it seems very large.
The
craft is very big?
Very big. Like a football field. [4]
Can
you see anything else around in the bay you’re in? Is there anything
there? Look around. Take your time.
But
where we are, where the car is and the raised platform,
seems narrower than the distance between the two. Much
narrower.
You’re
floating out. What happens now?
I
don’t know. I never ever remembered looking behind the car but now I’m
sort of vaguely, I don’t know, vaguely, seeing ... I can’t see how they could
be there! It’s like a circular object behind it.
There’s
a circular object behind the car?
Yes.
Like we’re all parked one behind the other.
Is
it small? The circular object behind the car?
Is it the size of the car?
No,
it’s bigger than the car.
Bigger than the car? Can you describe the circular object behind
the car?
It
comes down and it’s circular, very low. Then there’s a thin black ridge,
I don’t know, maybe they’re windows. Then there’s another. And it
comes down again, and then there’s another black ridge.
What
does it look like?
Like
metal. It’s all dull gray, very gray. (Tenses
visibly again).
Now
you’re above this, you can see the car, and you can see this other object
behind the car. (Deepens trance). Now where are you?
I’m
in front of the car.
You’re
in front of the car. But above the car, is that right?
No,
down. Down level with it now.
You’ve
gone down?
Yes.
What’s
happening now?
I’m
looking along the platform, the raised platform. I always thought it extended
the whole length beside the car, but now this time it has a bend in it.
There’s
a bend in the platform?
Yes,
a curve in the wall, the wall that is about four foot,
five foot, in from the edge of the raised platform, bends with it all along the
curved side. It’s darker around the corner. What I’m seeing now I
haven’t seen before.
Just
tell me what you see.
There’s
a huge doorway.
Are
you going through that doorway?
It’s
opening up. I’m standing on the bend.
Is
there anyone with you?
I
can’t see anyone. I sense there is but I can’t see anyone.
Now
what you’re telling us now must only be what actually happened. See if
you can go up to the doorway.
I
don’t know if this has really happened before or not, because I’ve never seen
it before.
It’s
been very deep inside you. Just let it come out.
There’s
two people standing at the doorway.
What
are they like?
I
can’t tell how tall they are. They’re slim, they’re human looking.
Can
you see their clothes? Can you see how they’re dressed?
They’re
wearing overalls.
What
colour?
Pale
blue, but they’re dark on my side. Like it’s brightly
lit behind them. The doorway is huge. It’s so high and it’s sort
of like they’re not pushing it, they’re just standing there and walking along
with it. Watching us as the huge doorway recedes into
the wall. (Her voice trails off).
Just
approach them. What’s happening now? Can you see anything?
One
has his back to me and is just pale blue.
Pale blue. Like the man in Brussels
Yes.
He doesn’t have black stripes down his back. He has like a thick, black
belt round his waist.
Can
you look at his shoes? Do you see his shoes?
Yes.
They’re just black boots.
Go
closer to them and see what you can see. Go right up to the doorway.
There
are huge objects. Through the gap in the doorway, looks like the nose of
a plane. Looks like the nose of a very slim jet. It must be an
airplane.
There’s
an airplane in there?
I
can see the nose of it as they’re opening the door. The
nose of it at the ceiling, at the top.
Can
you describe the plane?
It’s
very slim and white. It has a black nose tip. It has normal cockpit
windows, except the windows seem to be higher up and slimmer than normal
windows.
Are
there any numbers on the plane, any letters or numbers? Are there any markings
on the plane, any insignia? Anything to identify it?
Nothing
clear. [6]
Where
are you going now?
I’m
just inside the doorway looking up at the side of the nose of the plane.
It looks very slim and slender.
Where
are you going after that?
I
don’t know. There’s a doorway just inside the large door.
Another doorway?
A
normal sized doorway.
Do
you want to go through that door?
No,
I don’t think so because I think I’ve seen enough.
You
can see a bit can you?
It’s
shining. The white, circular light illuminates only the middle area of
their arms, on the other side of the table.
What’s
going on now?
Nothing. It’s just so black. Everything is so black. It’s
fading.
Is
anybody coming to you? Is anybody with you?
I
can’t tell. I know there’s someone inside. I just don’t know.
It’s so far away. It’s floating. It’s something. I’m just not
sure. I think their arms are supporting me, but I’m not sure. I
don’t really know. I can’t even feel my arms. I can’t really see
beside me. I can see ahead of me, but not beside me.
Where
are you now?
I’m
in the room with Z. He’s on the couch with the torch light on him.
Is
he asleep? What are you doing?
I
seem to be standing at the head of the table, a bit away from it.
Who
else is there in the room with you?
There’s
someone on my right. I can see the shoulder and down.
Look
at his face. Try hard to see his face. What can you see?
I
can’t see anything.
Can
you see anybody else besides Z? Anyone at all?
It’s
hard to see.
Move
on from that room now. What happens after that?
I
think they’re saying it’s my turn and I don’t want to go on the table.
I’m refusing.
Then
what happens?
I’m
just getting very tired.
What
happens then?
I
seem to be drifting or floating. I can’t really see anyone putting me on
the table or placing me on the table.
You’re
suddenly tired and then you’re floating. Are you on the table now?
Yes.
What
happens now?
I
don’t really know. I’m just lying there. All I can see is my
feet. Just lying there.
Is
there a light?
A very dull light. It’s very dimly lit.
Is
there anybody round the table with you?
It
looks like they are there, but I can’t see them very clearly. There’s one
at the foot of the table, and he has a small table next to him.
Who
are they?
Blues.
He’s wearing pale blue. They’re all wearing pale blue.
Are
you lying on the table itself, or floating above it?
I’m
lying on it.
Is
it cold or hot?
Neither.
I can’t feel.
What
next?
There’s
two to the right of me standing next to the table. There’s two there and
one at the foot of the table.
Mostly
Blues?
All Blues.
Can
you see any insignia on their uniforms?
Yes,
just the normal black stripes.
Are
they saying anything to you?
No.
Can
you smell anything?
Just a slight ammonia smell. Very, very slight.
Now
what’s happening?
I
think one’s putting his hand on my forehead. The one at the foot of the
table has turned to the small table beside him and he’s doing something and
placing an object at my feet. There’s space beyond the table at my
feet. He’s placing something there.
Do
you have your shoes on?
No.
Are
you dressed or undressed?
Dressed.
Except
for your shoes?
Yes.
What
can you see now?
Just the one at the foot of the table.
What’s
he doing?
He
still seems to be mucking around with something at the foot of the table.
He’s turning sideways to his left side to me. He seems very interested in what
he is doing at the foot of the table.
What’s
he got in his hand?
It
looks like a panel that is lit by a torchlight.
It’s
quite dark is it?
Yes.
It’s going dark again. Another table on the other side
of him. Another raised like a
machine. It’s like a mini computer or something on the other side of the
table.
Just
describe what you see. Take your time. Relax. Let yourself
drift.
A
box, shaped with a curved top and underneath the curve there’s like a screen.
Anything else?
No.
It’s bright. Something white, big and white.
What comes to my mind is like a cricket match, like in
a cricket match they’re all in white.
Big and white as on a screen?
Yes.
It’s funny. (Laughs.)
Are
you watching the screen?
No.
I’m looking at it but I don’t think I can really see what’s on it.
What
now?
He’s
tapping something into the machine. Buttons - round, tiny
(unintelligible) flattish buttons.
And
now, what’s happening?
He’s
looking at me and now back at the screen. That’s all he seems to be
doing.
Go
ahead a little further in time, two or three minutes perhaps in time, move
forward a few minutes. What’s happening now?
My
skirt is being pulled down. Just around my navel, just down slightly, and
my top is being pulled up slightly, and the light is shining on that.
It’s funny because I feel as if I’m floating up and looking down on the floor.
What
are they doing now?
There’s
a couple of them on either side, with a needle or something. (Agitated).
Just
relax, relax. You’re perfectly safe, you’re in control. What’s
happening now?
It’s
a funny looking thing. It’s very thick. It’s like a very thick
needle. It just doesn’t seem to be a needle. I can’t tell whether
he is inserting anything or if he’s just resting there. It’s very narrow
but then there’s a part attached to it, above it, that’s a lot thicker, on
top.
When
you wake up, I want you to draw this needle. Can you do that for
me? Is the needle in you now?
No,
they’re withdrawing it.
They’ve
put the needle in already?
Yes.
Where
did they put it in?
In my navel.
Right into the navel?
Yes.
And at an upwards angle, at that angle. (Gestures,
indicating about a 45 degree angle). They’re withdrawing it
now and there’s a fine needle at the end of it. It’s a bit like a gun, I
suppose, with a needle at the end of it. [7]
What’s
happening now?
Now
it’s sort of the end of it is curving up. It seems that the end of it is
curved.
The
needle is curved?
There’s
the needle, then there’s the thicker bit and another thicker bit and then it
curves out.
When
you wake up, I would like you to draw this for me. Can you see it very
clearly?
Sort of. I can’t see how they’re holding it. It seems to be like a
gun. (Tenses.)
(Calms her). Now move forward a minute or so in
time. What do you see now?
They’ve
moved away.
And
where are you?
I’m
still lying on the table.
How
are you feeling?
I’m
feeling O.K. I’m not really feeling anything.
Move
forward a few minutes more. What’s happening now?
Someone’s
saying it’s all over. It’s someone I can’t see to my right who’s saying
it’s all over and I can get up now.
Do
you get up?
I
sit up on the table.
What
happens now?
My
legs are down and I’ve slid off the table.
And then?
There’s
some instruments on that table next to mine, long shining gray, similar to the
needle that I remember, or instrument. The table is circular, very shiny,
metallic, almost like glass, it’s so shiny. On the end there’s a white
cloth underneath.
A white cloth?
Yes.
That’s on the right hand side which is shiny, highly polished.
You
can see this very clearly.
There’s
a little rail around the edge of the table, about an inch high above the
surface of the table. It’s a solid table. There seem to be drawers
underneath it.
Is
it made of metal?
It
seems to be. It’s a bit whiter.
What
are you doing now?
I’m
standing up and walking away. They’re leading me away. There’s two on either side of me.
(Surprised). Two on either side?
Two on either side. And as I’m walking away I’m looking at the
table. The one (Blue) I saw at the foot of the table is
there standing over the instrument. He seems to be looking down at
them or something as I’m walking away.
Are
they Blues all of them?
Yes.
And
where are they taking you to now.
They’re
taking me towards the door. To where the car is on the
other side.
And
do you go back into the car?
No.
I’m walking towards the doorway towards the right.
What
can you see?
I
can see the car’s there. I can see the top of it, part of the car.
It’s very cool in the room. I feel very cool now.
Not
cold, just cool?
No,
just cool, there’s a breeze, like a draft.
Just
keep on walking. Where are you going now?
The
one next to me on my left is saying something as I’m going towards the door.
Can
you hear what he’s saying?
No.
He’s saying something.
Is
he speaking to you?
Yes.
And the other perhaps.
Is
he moving his lips when he speaks or is he speaking in your head?
He
seems to be moving his lips.
Is
he speaking a language you know?
Yes,
English. But I can’t quite hear what’s he
saying. All I can see is he’s moving his mouth like he’s talking.
He may be saying, ‘Remember what we said.’
Can
you remember anything they said to you this whole time?
The
first thing they said, when I was up on the platform before we went in the
large room, was I would remember all this but it would be from a distance, from
up high. And when I was in the room they were saying, well they seem to
be saying, I don’t know if they actually said it, but they were saying ‘to stay
away’.
To stay away from what, from somebody or something,
or somewhere?
There’re
dials behind me. I don’t know if I’m standing too close.
Too
close to the dials?
I
didn’t realise the dials were there when I went
through the doorway. A yellow and red dial.
Where
were they?
In the room. On the bench against the wall to the right of
the doorway into the room.
In
the room where the table was?
Yes.
Can
you see those dials now?
They’re
big fat dials with serrated edges, must be some sort of machine. Just
dials on a machine in the bench.
They
told you to stay away from the dials before they put you on the table.
Yes.
Did
they say anything else to you?
They’re
saying they want me on the table, that it’s my turn to go on the table.
Do
they say anything to you while you’re on the table.
There’re
two tables. And I go on the other one.
Z
is on the other one is he?
Yes.
Is
he asleep or awake?
He’s
asleep I think. I can’t really see him. It’s quite a distance away.
But
you’re awake, aren’t you?
Just.
I’m awake but sleepy. Very sleepy. I don’t
remember them saying much. I just fell asleep as soon as I got on the
table. I remember not wanting to, not wanting to get on the table or do
anything.
Do
you remember the needle going in or just the needle coming out?
Just coming out.
Was
there any pain?
No.
No
pain?
I
can’t recall any at the moment. If there was, it was bearable.
Let’s
go back to where you’re walking towards the door. There’s
two on either side. You can see the car. Are you getting into the
car yet?
I’m
walking towards it.
Now
here’s the car. Is Z in the car already? Or are you in the car
first?
I
don’t really know. I can see a figure in the car.
Do
you think that’s Z?
I
don’t know. It could be. I moved towards the car.
Now
what happens?
I
don’t recall steps or anything. (Agitated)
Just
relax, relax. (Calms her)
Now
I can see plainly. He’s not there. [8]
Where
now?
I’m
in the car.
By yourself?
Yes.
What
happens now?
He’s
coming in now.
Z
is coming in now. Is he awake or is he asleep?
He’s
awake.
They’ve
put him in the driver’s seat?
He’s
getting in there, I think, on his own.
On his own? And what happens now? Describe your
surroundings. What do you see?
We’re
just there. What I’m seeing now is like the car’s just floating on
air. I don’t remember anything like this.
The
car’s floating on air.
It’s
like a hatch that’s opened underneath the car and it’s just there above the
opening. Everything’s dark. It’s like seeing the sky again.
I’m seeing the night sky.
How
do you feel?
I
remember going up. I was terrified. I was so scared I felt so hot
and so cold and prickly. I felt that I’d never come back again.
But
now how’d you feel?
Tired.
Very tired.
Are
you frightened?
No.
Are
you floating down now? What happens next?
We’re
on the road.
Is
the car moving?
No.
It’s stopped.
Do
you know where you are?
I
think we’re in the exact place that we were before.
And
what can you see around you?
Just the bushes, lighted by a light. I can’t tell whether it’s from the beam of
the car. No, it can’t be our beam. Everything is lit.
Everything
is lighted up around you?
Yes.
Dimly?
No.
Not quite like daylight. But bright enough.
Quite
close?
There’s
a huge light on our right up above.
And
what happens now?
It’s
there, and then it goes. It’s slowly going. I can’t see it now
because the roof of the car is in the way.
What’s
happening now? Now the light is gone and you’re in the car with Z.
What happens now?
The
car starts. I think Z must have started the car. The lights are
back on and we’re driving.
And
what do you say to Z? And what does Z say to you?
He’s
saying something but the car hasn’t started yet. I think we’re slowly
moving. Then the lights come on.
And
what happens now?
We’re
just driving. I can’t recall any conversation. I think we both feel
really, really, relieved.
You
don’t want to talk about it. [9]
No.
Does
Z take you home?
Yes.
What
do you find when you get home? Anything at all unusual?
I
can see my skirt and there’s a bit of blood on it.
How
much blood on your skirt?
About that much. (Gestures, indicating a patch
of about four inches in diameter).
In the front?
Yes.
Just at the top near the waistband.
Any other sign on your body? Any bleeding on your body?
No.
I don’t think so. No.
Any other symptoms?
I
remember my stomach feeling sore for a while, like an aching muscle. The
next day I think. Every now and then, for a couple of days I felt sore.
Did
you want to report what had happened to anybody?
No.
You
didn’t want to tell anybody?
No.
Why
was this?
I
don’t know.
Why
did you keep your skirt without washing it?
Because
I thought if someone did come, it would be proof.
Did
you think anybody would come, as you hadn’t told anybody?
I
thought Z might.
Did
you talk to Z about it then?
No.
Did
you talk to Z about it later. Ring him up or
anything to discuss it?
Yes.
I think he said he hadn’t told anyone. (Agitated).
Just
relax, relax completely. (Pause).
I
don’t know why we didn’t tell anyone. I just don’t know. I think I
was too scared to tell anyone.
Did
anything else happen after that, that was unusual, out
of the ordinary? Did anybody come to the house?
No.
I
want you to tell me about the time when somebody did come to the house.
When the three men dressed in black came to the house.
That
was much earlier.
You
were quite young then were you?
Yes.
Can
you describe the men in black? I want you to go back in time. How
old are you now?
I
think I was fourteen.
1974 or 1975?
1974
I think.
You’re
fourteen and these men come to the house?
It
must have been 1974.
How
many are there? I want you to see them, look at them. They’re there
now. How many of them are there?
They’re
three or four. Three at the door and one behind.
(Agitated).
(Calms her). What are they wearing?
Very dark suits. All in dark colours.
How
big are the men?
They’re
very big. Very tall.
Describe
them.
They
have hats like old men wear. But they’re not old.
What
are the suits like? Can you describe their suits? Are they black or
navy blue?
Dark colours.
Dark brown. [10]
Are
they talking to somebody at the door?
They’re
talking to Dad.
Do
you know what they’re saying? Where are you?
I’m
a bit further back from Dad, in the middle of the lounge room. I’m
walking up to stand beside him.
You’re
looking at the men now. Can you describe the men’s faces?
I
can see one. He has almost like a pumpkin face.
It’s very pale and pudgy. Very roundish sort of face. Very
much like the one that came into the office at work. [11]
They’re all like that, I think. Maybe there’s one that looks
normal, more normal like us. Older.
Do
they come into the house?
No.
They’re just standing at the doorway.
Look
at their mouths. Do you see anything unusual about their mouths?
Just look at their mouths.
One’s
gone quite ugly. He’s starting to look like a pumpkin. Nothing too different. Just normal
mouths. They’ve got very pale lips. Almost
blue. That’s what I’m seeing, anyway. I don’t remember
really noticing much about their mouths.
Is
there anything else you want to tell me about these men? Are you
frightened of them?
Yes.
I’m
going to put my hand on your forehead. And when I put my hand on your
forehead you’re going to hear something the men are saying to your
father. What are the men saying?
They’re
talking very earnestly. It’s a very serious conversation.
What
are they saying?
They’re
saying not to say a thing.
Not
to say a thing?
Yes.
That they could make anything happen.
Is
your father frightened?
He’s
frightened but he’s standing his ground. That’s what he’s saying.
He has every right. If he wants to, he will. If he doesn’t, he
won’t.
Do
you know what he’s referring to?
No.
I’ve got no idea.
He’s
never told you?
No.
The
men are walking away now. How do they walk?
Like they push back with their legs. Like they’re very strong
legs.
A strange walk?
Not
unusually strange. No. Just very strong.
Does
your father comment on them at all? Does he say anything?
No.
He’s not saying anything as they walk to the car.
What
sort of car? Describe the car? You see it very clearly.
You’re fourteen years old, you can see the car very
clearly.
A very old car. It’s a black, shiny 50s car, I think. [12]
It’s
an old-fashioned shape?
Yes.
Very old-fashioned.
(End
of session).
Endnotes
[1] “‘You
Know I Can’t Eat’: The Alien Theatre of the Absurd.”
[2] Z is a pseudonym, like Sabrina. Z’s real
name is preserved on the original tapes.
[3] Sabrina drew the
scene for me later.
[4] Many of
these alien craft appear to be far larger inside than outside.
[5] An
allusion to a later episode when Sabrina encountered a humanoid alien in a park
in Brussels , Belgium
[6] Was this a missing plane of
ours? One thinks of Valentich’s Cessna, though
of course many others have vanished without trace.
[7]
As in the Betty Hill case. I suspect that
other gynaecological procedures may have taken place, though this hypnotic
session failed to elicit them.
[8] Notice
her honesty in admitting her mistake.
[9] Typical of such abductions.
[10] Notice
she does not take up my suggestion that they were wearing black or navy
blue. So much for the argument that hypnotised subjects
are always trying to please the hypnotist.
[11] As described in the article mentioned in endnote 1
above.
[12] These
old-fashioned cars, in apparently new condition, are a regular feature of Men In Black incidents. “Curiouser and curiouser,” as Alice
[Published
in Journal of Alternative Realities,
Vol 11, Issue 1, 2004]
COPYRIGHT (C) 2010 J D FRODSHAM
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